requestId:684aed91122f34.13203789.

Qing Dynasty Local Chronicles Dance Dance Picture Examination

Author: Peng Zhi (Doctoral Graduate Student of Zhejiang University of Humanities)

Source: “Beijing Dance Academy News”

Time: Confucius was in the 2570s and was in early November of Jihai

Jiu December 5, 2019

Content summary:The temptation of the slogans in the Ming and Qing dynasties was growing, and there were often notes of the dance process of commemorating the Confucius style to commemorate the Dance of Confucius, but the characters were mostly used, and there were fewer pictures in the world. The basic shape of the literary dance chart recorded in the local chronicles of the Qing Dynasty is composed of thirty-six dances, four dance clothes, flags, zodiacs, and trousers, eight dance shapes, eleven movements, and ninety-six-character dance styles. In terms of origin, the relationship between local chronicles and gift-made dance books is closely related. In the late period, they were mostly simplified, reorganized or modified; and after the local chronicles are formed into a layered system, the local chronicles are published late, and more are borrowed from the late period. In the Qing Dynasty, the music used was mostly to be a middle-class Shao opera, and the song used was mostly to be a four-character poem with the first sentence “I wish to enlighten virtue”, and the dance used was mostly to be a dance of six literary virtues, while music, song and dance appeared to be a secret relationship. From the three aspects of memorial objects, expression methods, and storage of culture, we can find that local chronicles and cultural dances are the main links in promoting the development of the civilized civilization in the hotel.

Keywords: Party Chronicles/Text and Dance/Travel Civilization

Title Note: This article is a phased result of Zhejiang Major Educational Entrepreneurship and PhD Doctoral Degrees Assistance (Project No.: 201702B).

Since the second year of Qing Dynasty (1645), every spring and autumn, grand worship activities were held in Wentan on the Wentan Festival from the court to the office. We have just stepped up the full national power of the Ming Dynasty and urgently needed to establish customization in national ceremonies activities to rebuild the order of the restructuring of the war, which extended the war and disappeared day by day. The atmosphere of the gift system cannot be ignored, especially it occupies a major position in the Confucian tradition formed by Han people. Focusing on the composition of the gift system, the Confucius worship ceremony has pushed the gift civilization to the flying wings of worship and expression. In the past, the article has detailed or brief notes on the process of worshiping Confucius. It is particularly important to note that the image method is used to restore the song dance on the song dance on the paper, and the flowing dance postures are kept forever with detailed action differentiation and text annotations, providing the door for the dance students’ performances. Before the graphic was mature, image printing was difficult to print. This is one of the causes of the pictures that were hard to see in the text. It is only known as the German palace dances and the sixth generation small dances [1]. Therefore, the literary dance pictures are one of the few dancing pictures that have not been passed down in the world, and their location is very heavy. This positioning not only refers to the timely traceability of modern dancing, but can also be extended to the thinking of the great masters of the bottom level.Neglected interesting topics such as form and career appearance. From the categories of storage documents of the WenshuBaohuangwang VIP dance pictures, the important ones are: gifted dance books and local chronicles. The former is as published in Volume 23 of “Sacred Gate Constitution” [2] 290-296, and the latter is as published in Volume 24 of “(Tongzhi) Pingjiang County Chronicles”. The results of research and development of this subject in the crawling community have already discussed the literary dance composition industry in the gift-making dance books, but there is little attention to the literary dance composition in the local chronicles. A comprehensive survey on the existence of local chronicles and dances in the Qing Dynasty was conducted on a comprehensive survey. On this basis, we developed a multi-dimensional thought on the theoretical aspects of dancing, music, and gifts, and explored the multi-level meanings of its development. We can see the differences in the main gift activities of the Ding Memorial to Kong.

Figure 1 “(Qianlong) Xiangtan County Chronicles” Volume 8 Dance Dress

1. Shape examination: The composition of dance diagrams in local chronicles

Discussing the dance diagrams in local chronicles, two basic problems are discussed at the beginning. One is the definition of dance diagrams, and the other is to investigate the records of the dance diagrams in local chronicles. The first problem should be strictly limited. Only by recording Ding Ji Ding Kong’s entire dance movements with image methods can it be considered a strict textual dance diagram, and the character plot should be eliminated. For example, the new plot in “(Optical) Wuqiao County Journal” Volume 2 [Baocai.net4]Baocai4]Baocai is only a character plot. The solution to the second problem is that after the system searched two large books, “Chinese Local Chronicles Books” and “Chinese Institute of Chronicles Integration” and searched two large databases, China Digital Local Chronicles and Chinese Local Chronicles, a total of 16 sets of literary and dance drawings were found in thousands of Ming and Qing local chronicles, including: Volume 8 of “(Tianqianqi) Yunnan Chronicles”, Volume 30 of “(Kangxi) Shandong General Chronicles”, Volume 8 of “(Qianlong) Xiangtan County Chronicles”, Volume 10 of “(Qianlong) Jiahe County Chronicles”, Volume 10 of “(Qianlong) Jiahe County Chronicles”, Volume 10 of “(Qianlong) Shandong General Chronicles”, Volume 30 of “(Qianlong) Xiangtan County Chronicles”, Volume 10 of “(Qianlong) Jiahe County Chronicles”, Volume 10 of “(Jiaqing) Changsha County Chronicle Volume 12, “(Daoguang) Zhinanxiong Prefecture Chronicle Volume 13, “(Xianfeng) Pingshan County Chronicle Volume 4, “(Tongzhi) Anhua County Chronicle Volume 16, “(Tongzhi) Jiahe County Chronicle Volume 10, “(Tongzhi) Lu’an Prefecture Chronicle Volume 14, “(Tongzhi) Pingjiang County Chronicle Volume 24, “(Tongzhi) Shangzhu County Chronicle Volume 7, “(Tongzhi) Yiyang County Chronicle Volume 9, “(Guangzhi) Pingding Prefecture Chronicle Volume 4, “(Guangzhi) Shanhua County Chronicle Volume 13, except for Volume 8 of “(Tianzhi) Dian Chronicle Volume 8, “(Tianzhi) Dian Chronicle Volume 8, “The rest of the rest were in the Qing Dynasty. Of course, there are more than these 16 sets of dance pictures preserved in the local chronicles. The results of this survey are only based on the number of unlimited literature sorted out, but the local samples can already see the global characteristics. After solving the connotation and data scope of the local chronicle arts, we will first try to find the common points of these surviving dance pictures, that is, to explore the basic requirements for the structure of dance pictures. Zhu Xuxiang, a famous legal expert in the Ming Dynasty, elevated dancing to a professional academic in “Law Essays”, and wrote the “Ten Disciples of Dance”, which specifically includes ten departments: dance, dancers, dance names, dance instruments, dance instruments, dance appearance, dance voice, dance appearance, dance clothes, and dance songs [5]. This article is simple and focuses on the dance chart. A complete set of literary and dance pictures should include six parts: dance, dance clothes, dance instruments, dance appearance, movement, and dance style. Only when each of the requirements is properly matched can it present a memorial and beautiful and sacred style of the Ding Confucius.

If we discuss it in part and the whole, the composition of the literary dance composition can be divided into parts composed of dance students, dance clothes, and dance instruments, as well as dance appearance, movement and dance poses connected by these parts. Let’s look at the former. The dancer was a person who performed the ceremony of worshipping Confucius. In the fifth year of Yongzheng (1727), there were 36 students in Fuzhou County who were selected as a local handsome man from “the government and county students selected local handsome men and women” [6]. The government gave him the honor of the dancer. In terms of dance clothes, the costumes of Wen Dian of the Qing Dynasty commemorated Kong Wusheng were composed of crowns, belts, robes and boots. The costumes were painted in Volume 8 of Xiangtan County Chronicles (See Figure 1), which was more significant than in the Ming Dynasty. The word “dance instrument” is earlier published in “Zhou Rong·Chun Guan·Zongbo” “When the dancer is celebrating, he teaches the dance instrument, and when the dancer receives it